1 00:00:06,400 --> 00:00:09,320 The Life of Jesus with Stanis as the protagonist. 2 00:00:09,640 --> 00:00:10,760 My God. 3 00:00:10,920 --> 00:00:13,840 Don't be fooled. I don't know if you've read it, 4 00:00:14,200 --> 00:00:16,760 but this is serious stuff. There's even a teen story. 5 00:00:16,840 --> 00:00:18,640 I can imagine that. 6 00:00:18,800 --> 00:00:22,280 You need on Thursday and Friday so my help, 7 00:00:22,360 --> 00:00:24,440 because the guy from the second unit was arrested? 8 00:00:24,560 --> 00:00:26,240 Alfredo, a very good director. 9 00:00:26,360 --> 00:00:27,760 Unfortunately it has a small flaw. 10 00:00:27,880 --> 00:00:29,280 He gets arrested every now and then. 11 00:00:29,400 --> 00:00:32,520 Exactly. So you help me Thursday and Friday out? 12 00:00:34,840 --> 00:00:36,320 Yes, yes, of course. 13 00:00:37,360 --> 00:00:38,360 But? 14 00:00:39,640 --> 00:00:42,160 Hey! What do you think of me? 15 00:00:42,280 --> 00:00:45,280 Some things you just do because of friendship. 16 00:00:45,840 --> 00:00:46,840 But? 17 00:00:48,760 --> 00:00:51,840 When you with your soothing voice could record a video for me, 18 00:00:51,960 --> 00:00:53,000 would you give me... 19 00:00:53,160 --> 00:00:54,080 What kind of video? 20 00:00:54,160 --> 00:00:57,880 I have been a consultant for three years for the Ministry of Culture in Namibia. 21 00:00:58,200 --> 00:01:02,160 I sold to the president a few paintings and we became friends. 22 00:01:02,280 --> 00:01:04,640 He made me a consultant for the ministry. 23 00:01:05,480 --> 00:01:08,440 A few months ago the opposition began to attack us. 24 00:01:08,600 --> 00:01:13,040 She claims Namibian cinema would decline. 25 00:01:13,120 --> 00:01:14,280 Oh, wow. 26 00:01:14,440 --> 00:01:17,400 Namibian opposition is really tough, man. 27 00:01:17,480 --> 00:01:18,600 Can I introduce myself. 28 00:01:18,760 --> 00:01:25,120 So I'm looking for some artist friends, who support Namibian film. 29 00:01:26,320 --> 00:01:27,720 Can I count on you? 30 00:01:28,040 --> 00:01:30,560 -Okay, I'll do it. -Port wine? 31 00:01:30,680 --> 00:01:32,200 No thanks, we're just talking. 32 00:01:32,520 --> 00:01:33,840 This is the script. 33 00:01:33,960 --> 00:01:40,560 If you're ready, we can record immediately. 34 00:01:40,760 --> 00:01:42,200 -Come on, come on. -Ready? 35 00:01:43,040 --> 00:01:44,840 -Go! -Go! 36 00:01:45,600 --> 00:01:49,000 "Hello, I'm René Ferretti, an Italian director. 37 00:01:49,840 --> 00:01:54,760 "I'm excited about this, what is currently happening in Namibia. 38 00:01:55,720 --> 00:02:00,000 "The rebirth of filmmaking. 39 00:02:00,120 --> 00:02:03,800 "And all that thanks to some extraordinary artists… 40 00:02:05,440 --> 00:02:09,880 "...like A...Abdul Ge...Gesemon... 41 00:02:11,160 --> 00:02:13,120 "…Lionel Sparnatt. 42 00:02:13,960 --> 00:02:16,200 "I learn so much from them. 43 00:02:16,280 --> 00:02:20,320 “Namibian cinema is flourishing and the ministry does 44 00:02:20,400 --> 00:02:25,400 "a very good job. Go, go, go, Namibian cinema!” 45 00:02:26,360 --> 00:02:27,800 René, you are great! 46 00:02:28,120 --> 00:02:31,480 And thanks for the "go, go, go" at the end, That wasn't even in the script. 47 00:02:31,560 --> 00:02:33,840 -See you on Thursday? -Yes. 48 00:02:33,920 --> 00:02:36,640 Advance warning: You will work with Tatti Barletta. 49 00:02:36,720 --> 00:02:37,680 He's a pain in the ass. 50 00:02:37,760 --> 00:02:39,880 Don't worry, I'll take care of Tatti Barletta. 51 00:02:39,960 --> 00:02:41,000 Great. 52 00:02:59,120 --> 00:03:00,480 I'm Lorenzo! 53 00:03:01,000 --> 00:03:03,720 Close your eyes. You still need rest. 54 00:03:06,280 --> 00:03:09,880 They look the same how I imagined you. 55 00:03:09,960 --> 00:03:11,600 Please close your eyes. 56 00:03:18,000 --> 00:03:23,720 Eyes of the Heart Eyes of the Heart 57 00:03:24,120 --> 00:03:25,320 Boris 58 00:03:25,560 --> 00:03:27,280 RENÉ THE DIRECTOR 59 00:03:27,400 --> 00:03:29,400 I'm singing a new story With emancipated characters 60 00:03:29,480 --> 00:03:31,840 ACTRESS/PRODUCER ACTOR/PRODUCER 61 00:03:33,040 --> 00:03:34,760 DIRECTOR OF THE SECOND UNIT 62 00:03:35,360 --> 00:03:37,120 CAMERAMAN 63 00:03:38,080 --> 00:03:39,560 SECOND ASSISTANT ASSISTANT DIRECTOR 64 00:03:39,680 --> 00:03:41,000 PLATFORM MANAGER ASSISTANT 65 00:03:41,120 --> 00:03:42,160 Parallel actions 66 00:03:42,400 --> 00:03:43,800 AUTHORS 67 00:03:43,880 --> 00:03:45,160 Complicated scenes 68 00:03:45,280 --> 00:03:46,400 Boris 69 00:03:46,600 --> 00:03:48,640 EXECUTIVE PRODUCER CO-PRODUCER 70 00:03:48,720 --> 00:03:51,320 We don't shoot them We tell them 71 00:03:53,080 --> 00:03:54,400 BIASCICA - HEADLIGHTER 72 00:03:54,520 --> 00:03:55,880 LORENZO - OPERATOR 73 00:03:56,160 --> 00:03:58,120 An exciting TV series That never lets you go 74 00:03:58,360 --> 00:04:05,160 Amidst supermen and teenagers You're glued to the screen 75 00:04:13,120 --> 00:04:16,080 Yes, it has been confirmed. All actors from "Hands off Martufello" 76 00:04:16,160 --> 00:04:17,680 strike from 2 p.m. 77 00:04:18,200 --> 00:04:19,680 “Stay away from Martufello”? 78 00:04:19,760 --> 00:04:24,400 Yes, a small actors union. They're terribly stubborn. 79 00:04:24,560 --> 00:04:28,320 And Tatti Barletta is one of the organizers. 80 00:04:28,440 --> 00:04:30,400 He recruits demonstrators on set. 81 00:04:30,720 --> 00:04:33,080 Ana, listen. Do you understand that, Ana? 82 00:04:34,880 --> 00:04:37,560 Not really, no. 83 00:04:37,760 --> 00:04:38,800 And what are they doing? 84 00:04:39,200 --> 00:04:42,800 They'll check to see if you're a union belongs to and which one. 85 00:04:43,000 --> 00:04:46,040 Do you belong to "Hands off Martufello", 86 00:04:46,200 --> 00:04:47,520 you won't get a job. 87 00:04:47,800 --> 00:04:50,480 They make the decisions. They select you. 88 00:04:51,520 --> 00:04:53,320 -Do you know who selected? -No. 89 00:04:53,400 --> 00:04:56,160 -The Nazis. You're not a Nazi, are you? -No. 90 00:04:56,440 --> 00:04:59,400 Then you are one of us. We are on strike from 2:00 p.m. 91 00:04:59,520 --> 00:05:01,560 I'll send you the form. It's also possible online. 92 00:05:01,640 --> 00:05:04,520 -OK. -You have such a pure face. 93 00:05:05,800 --> 00:05:07,240 And strong teeth! 94 00:05:08,440 --> 00:05:11,600 539-1, flap, the first, two cameras, camera B is waiting. 95 00:05:12,280 --> 00:05:14,120 And action! 96 00:05:14,680 --> 00:05:16,480 Behold! I bring you good news! 97 00:05:16,600 --> 00:05:21,000 Oh, he brings good news! 98 00:05:21,280 --> 00:05:23,120 Mary, the Lord speaks to the people. 99 00:05:23,240 --> 00:05:27,080 Markus, tell him it's us, his family. Surely he'll let us in. 100 00:05:27,280 --> 00:05:30,360 Truly I say to you... 101 00:05:30,560 --> 00:05:34,240 Lord, your mother and cousins are here. 102 00:05:34,480 --> 00:05:36,480 -So what? -This is your family! 103 00:05:36,680 --> 00:05:38,440 Who is my family? 104 00:05:39,880 --> 00:05:41,720 My mother and my cousins... 105 00:05:44,680 --> 00:05:45,800 ...or her? 106 00:05:49,640 --> 00:05:50,760 Oh, is that right? 107 00:05:50,960 --> 00:05:52,520 We'll discuss this with my lawyer. 108 00:05:52,680 --> 00:05:53,680 But, darling... 109 00:05:53,760 --> 00:05:58,280 Maria, do you mean the Pontiff Maximus? 110 00:05:58,360 --> 00:05:59,520 Shut up, asshole! 111 00:06:00,160 --> 00:06:01,520 Cut! What the hell? Hey, you! 112 00:06:01,600 --> 00:06:03,000 You probably studied classical music. 113 00:06:03,240 --> 00:06:04,840 Yes, I'm sorry, Master. 114 00:06:04,960 --> 00:06:07,480 Duccio, why is everything pink? 115 00:06:08,120 --> 00:06:09,360 It's because of the asshole. 116 00:06:09,840 --> 00:06:11,440 Since I can see again, 117 00:06:11,800 --> 00:06:13,520 I only see terrible things can that be grasped? 118 00:06:14,320 --> 00:06:15,680 Lorenzo! 119 00:06:21,920 --> 00:06:24,400 Why is the scene pink? Looks like we're making a porno! 120 00:06:24,960 --> 00:06:28,280 Jesus rejecting his family has a revolutionary message, Duccio. 121 00:06:28,920 --> 00:06:31,880 That's why we use it here revolutionary cinematography. 122 00:06:32,920 --> 00:06:35,040 You're a sick fucking motherfucker. 123 00:06:36,440 --> 00:06:37,840 Are you on drugs? 124 00:06:38,680 --> 00:06:41,520 As long as my doctor does not prohibit thinking, 125 00:06:41,720 --> 00:06:46,320 I want that for three months no one in my department thinks so! 126 00:06:49,720 --> 00:06:50,960 Who thinks now? 127 00:06:55,560 --> 00:06:57,200 When they get up, it's over. 128 00:06:57,320 --> 00:06:59,960 Nobody gets up. They are even surprisingly quiet. 129 00:07:00,560 --> 00:07:03,960 Wait, someone stands up. Who said you should get up? 130 00:07:04,080 --> 00:07:07,000 -Please remain seated while... -I'm sorry, but... 131 00:07:15,080 --> 00:07:21,480 I am a humble boy, who wants to be with you. 132 00:07:21,640 --> 00:07:25,280 Kiss, kiss, kiss, kiss! 133 00:07:25,520 --> 00:07:29,480 I told them we were going out. 134 00:07:29,680 --> 00:07:32,080 So it's like you're my girlfriend. 135 00:07:35,600 --> 00:07:37,600 Will you at least give me a kiss? 136 00:07:39,880 --> 00:07:41,800 A kiss is okay, but keep it light. 137 00:07:41,880 --> 00:07:43,920 After that you have to do something for me. 138 00:07:58,720 --> 00:08:01,840 Okay, from now on your people, what I say. 139 00:08:02,160 --> 00:08:04,360 Your wish is my command, Princess. 140 00:08:04,520 --> 00:08:06,320 You should sit down again. 141 00:08:08,240 --> 00:08:12,040 Sit down and be quiet! Show what you can do! Go! 142 00:08:13,640 --> 00:08:14,640 We'll see. 143 00:08:16,360 --> 00:08:19,000 What do you call yourselves? “Stay away from Martufello”? 144 00:08:19,080 --> 00:08:20,280 Yes, I told you. Why? 145 00:08:20,760 --> 00:08:22,080 What does Martufello think of that? 146 00:08:23,000 --> 00:08:24,040 He sued us. 147 00:08:25,000 --> 00:08:26,400 Rightly so. 148 00:08:26,600 --> 00:08:29,640 Besides, Martufello is a great, venerable vaudeville actor. 149 00:08:29,720 --> 00:08:31,560 He isn't, because he didn't understand 150 00:08:31,840 --> 00:08:35,600 that this fight is for him too. It's a cultural revolution. 151 00:08:35,880 --> 00:08:38,520 In the center stands a sensitive actor, 152 00:08:38,600 --> 00:08:40,120 who constantly toils. 153 00:08:40,200 --> 00:08:41,280 This must be acknowledged. 154 00:08:41,800 --> 00:08:44,880 That means you want to get paid, even if you don't do anything? 155 00:08:45,680 --> 00:08:48,440 It's an open discussion. We are… 156 00:08:48,800 --> 00:08:50,040 -Open? -Clear. 157 00:08:50,720 --> 00:08:52,800 Do you know what is very good? 158 00:08:53,000 --> 00:08:57,400 The thing you did with... What was his name still the same? The guy who got arrested. 159 00:08:57,480 --> 00:08:58,560 Always forget the name. 160 00:08:58,640 --> 00:09:00,920 He's not the one who was arrested. His name is Alfredo. 161 00:09:01,040 --> 00:09:02,040 Alfredo. 162 00:09:02,120 --> 00:09:04,440 Great director. He even authorized our strike. 163 00:09:04,520 --> 00:09:08,240 He was just arrested because he became a nuisance to them. 164 00:09:08,680 --> 00:09:12,120 Naturally! They stuck him with half the crew in the second unit. 165 00:09:12,240 --> 00:09:13,960 That was definitely annoying. 166 00:09:14,040 --> 00:09:16,320 Tell the truth. Are you grumpy about the strike? 167 00:09:17,360 --> 00:09:18,440 Are you talking to me? 168 00:09:18,520 --> 00:09:20,040 Why do I care about your strike? 169 00:09:20,120 --> 00:09:23,560 I'm just saying it's a shame throwing away work. 170 00:09:24,760 --> 00:09:25,840 What work? 171 00:09:28,000 --> 00:09:31,200 What do you think becomes The Life of Jesus? 172 00:09:32,320 --> 00:09:35,600 It will appear in a small window end on the platform 173 00:09:35,680 --> 00:09:37,440 and disappear after three days. 174 00:09:37,600 --> 00:09:39,320 I looked at it. A shame, 175 00:09:39,520 --> 00:09:42,520 because there is a lot of good stuff there. Most of you. 176 00:09:43,040 --> 00:09:44,200 Well, it's a shame... 177 00:09:44,800 --> 00:09:45,720 From me? 178 00:09:46,640 --> 00:09:47,680 Glauco! 179 00:09:52,320 --> 00:09:53,680 Have you ever been a protagonist? 180 00:09:56,000 --> 00:09:57,680 A shame! 181 00:10:00,000 --> 00:10:04,600 Are your followers more important to you than me? Are they your real family? 182 00:10:04,920 --> 00:10:07,040 Honey, I was just repeating, what was in the script. 183 00:10:07,200 --> 00:10:09,800 Yes, but you were weird. You were real! 184 00:10:09,920 --> 00:10:11,120 Darling, impossible! 185 00:10:11,200 --> 00:10:13,960 Don't ever call me "sweetheart" again. I'm no longer part of your family. 186 00:10:15,080 --> 00:10:16,080 What is that? 187 00:10:16,240 --> 00:10:18,240 These are the divorce papers from my lawyer. 188 00:10:18,320 --> 00:10:19,360 Can I come in? 189 00:10:21,120 --> 00:10:23,000 I look at you that everything is okay again. 190 00:10:23,640 --> 00:10:29,320 René, I need a hug. That is a difficult moment in my life. 191 00:10:32,920 --> 00:10:34,080 Thanks. 192 00:10:35,960 --> 00:10:38,640 -How long has this been going on? -What? 193 00:10:38,920 --> 00:10:40,400 Your affair with Corinna. 194 00:10:40,880 --> 00:10:42,640 What are you talking about, Stanis? 195 00:10:42,760 --> 00:10:46,760 Do you think that's funny? Very easy. We'll meet in a field today. 196 00:10:47,280 --> 00:10:49,240 After filming. 197 00:10:50,200 --> 00:10:53,160 Are there problems with a woman, the men duel. 198 00:10:53,240 --> 00:10:56,400 Stanis, stay calm. Thank God it was a long time ago 199 00:10:56,520 --> 00:10:58,040 that men care about a woman like that... 200 00:10:58,160 --> 00:11:00,800 You are allowed the place for the fight, Renato. 201 00:11:01,520 --> 00:11:03,240 Remember, I'm a trained boxer, 202 00:11:03,400 --> 00:11:05,160 since I was Joe Mancino played for Tavarelli. 203 00:11:11,320 --> 00:11:14,600 Don't you and Corinna break up and doesn't she come back to me, 204 00:11:15,520 --> 00:11:16,680 I won't shoot anymore! 205 00:11:17,200 --> 00:11:19,120 I won't finish the series. 206 00:11:23,360 --> 00:11:25,120 I saw your film from a few years ago. 207 00:11:25,200 --> 00:11:27,680 -The price of getting away. -Oh, yes. 208 00:11:27,880 --> 00:11:29,680 I was a little confused... 209 00:11:30,400 --> 00:11:32,760 -Glauco, could we talk for a moment? -Sure, just a moment. 210 00:11:32,880 --> 00:11:34,320 …and ashamed. 211 00:11:36,840 --> 00:11:38,120 Do you know why? 212 00:11:38,280 --> 00:11:41,000 The film should add value and offset income tax. 213 00:11:41,200 --> 00:11:43,480 The topic the tax advisor had chosen, so… 214 00:11:43,640 --> 00:11:46,320 Got it? I'm sorry. What is there? 215 00:11:46,440 --> 00:11:48,840 I would delete that. Judas already told his sister, 216 00:11:48,960 --> 00:11:51,120 that he would betray Jesus, right? 217 00:11:51,240 --> 00:11:52,920 Then I would delete this. 218 00:11:53,320 --> 00:11:55,880 This is unnecessary. What the hell does that mean to him? 219 00:11:56,000 --> 00:12:00,680 -This one too. Cancel! Yes? -Okay, sounds like a great idea. 220 00:12:00,880 --> 00:12:02,520 Let's do it like this. Good man. 221 00:12:04,120 --> 00:12:06,200 It ends at 2 p.m., okay? 222 00:12:06,800 --> 00:12:08,440 In the meantime let's shoot this scene. 223 00:12:08,880 --> 00:12:09,920 Yes. 224 00:12:10,400 --> 00:12:12,200 545-3, Shut up, the fourth! 225 00:12:13,160 --> 00:12:15,760 Understood? Hold on to me. 226 00:12:16,320 --> 00:12:17,440 Action! 227 00:12:23,200 --> 00:12:24,520 I'll go then. 228 00:12:29,200 --> 00:12:30,320 Are you sure? 229 00:12:35,520 --> 00:12:36,520 No. 230 00:12:37,720 --> 00:12:40,520 Cut! Good! If I'm not mistaken, we have finished filming, 231 00:12:40,640 --> 00:12:42,560 Because you're on strike after the break, right? 232 00:12:42,720 --> 00:12:44,160 Yes, sorry, Glauco. 233 00:12:45,120 --> 00:12:48,160 I filled out the form and sent. 234 00:12:49,680 --> 00:12:52,920 Welcome! Let's change the world together. 235 00:12:53,560 --> 00:12:55,120 Let's change the world together! 236 00:12:55,360 --> 00:12:56,400 Yes. 237 00:12:57,000 --> 00:12:58,040 Yes. 238 00:12:58,320 --> 00:13:00,120 Is this morning's scene finished? 239 00:13:00,280 --> 00:13:03,360 Stanis refuses to turn, until he reconciled with Corinna. 240 00:13:03,880 --> 00:13:06,360 In the scene this morning, Stanis was good. 241 00:13:06,480 --> 00:13:11,560 I only need two more shots the crowd with the stuntman and that's it. 242 00:13:11,720 --> 00:13:13,680 What about the temple cleansing scene? 243 00:13:14,000 --> 00:13:17,880 I think… We will… The narrative technique. 244 00:13:17,960 --> 00:13:20,920 The narrative technique? What? Absolutely not! I want to shoot it! 245 00:13:21,040 --> 00:13:23,440 -I did the whole storyboard! -Yes I know. 246 00:13:23,560 --> 00:13:26,280 I have the chatty townsfolk called, just in case. 247 00:13:26,400 --> 00:13:27,880 No, we don't need that. 248 00:13:30,080 --> 00:13:31,840 What do we do about Stanis and Corinna? 249 00:13:34,520 --> 00:13:35,600 I'll take care of it. 250 00:13:36,320 --> 00:13:37,480 What's this nonsense, Diego? 251 00:13:37,800 --> 00:13:41,000 That was Carlo's wonderful idea, the set designer. 252 00:13:41,160 --> 00:13:43,520 He wanted to go there too paint the sea. 253 00:13:43,640 --> 00:13:46,240 Because I'm not the only one feeling the pain, but the whole crew. 254 00:13:46,440 --> 00:13:50,400 You were such a wonderful couple. You were radiant. 255 00:13:50,520 --> 00:13:52,960 -You have illuminated everything. Every… every… -Any what? 256 00:13:53,800 --> 00:13:57,640 Every party! You brightened up every party! 257 00:13:57,720 --> 00:13:59,480 When were we together? at a party? 258 00:14:00,120 --> 00:14:01,040 Not? 259 00:14:01,160 --> 00:14:03,520 Just a question, and it shouldn't provoke you. 260 00:14:03,640 --> 00:14:04,880 The question is: 261 00:14:06,200 --> 00:14:07,800 Do you love me? Because I love you. 262 00:14:10,840 --> 00:14:14,440 If you put it like that, it sounds strange. 263 00:14:15,640 --> 00:14:20,360 Well, yeah, when you put it that way, it sounds strange. 264 00:14:21,440 --> 00:14:24,800 I'm sorry. If I put it like that, it sounds strange. True. 265 00:14:24,960 --> 00:14:26,240 You said it. 266 00:14:27,560 --> 00:14:30,240 I understand what hurt you during the scene. 267 00:14:30,840 --> 00:14:33,120 You are my family! We'll shoot the scene again! 268 00:14:33,400 --> 00:14:37,640 René is already filming, Stanis. Just two shots of the crowd. 269 00:14:37,800 --> 00:14:39,520 They're filming without me? 270 00:14:40,480 --> 00:14:43,200 My love, Jesus will blow your mind. 271 00:14:46,560 --> 00:14:49,280 Duccio, the picture is wonderful. 272 00:14:49,480 --> 00:14:51,400 I said yes, I can't think about it. 273 00:14:51,520 --> 00:14:53,400 You're not allowed to think about it? 274 00:14:53,880 --> 00:14:56,520 The doctor said, I'm not allowed to think for three months. 275 00:14:56,680 --> 00:14:59,120 I just push through and be done with it. 276 00:15:00,240 --> 00:15:04,440 It's happened! Thanks! Duccio, you're back! 277 00:15:04,840 --> 00:15:07,680 This is a wonderful opportunity for you. Think about it! 278 00:15:07,760 --> 00:15:12,120 I will. Soon. Maybe even a little earlier. 279 00:15:13,280 --> 00:15:15,320 Okay, come on. Arianna, we're shooting! 280 00:15:15,440 --> 00:15:17,440 Go! We're shooting! Recording! 281 00:15:17,560 --> 00:15:18,560 Let's go! 282 00:15:19,640 --> 00:15:21,520 539-2, flap, the first. 283 00:15:21,960 --> 00:15:23,280 And action! 284 00:15:23,400 --> 00:15:25,600 No! Wait for me a moment! 285 00:15:25,760 --> 00:15:27,440 I'll do the scene again. Himself. 286 00:15:27,560 --> 00:15:30,280 Stanis, you're not in this scene. There's your double. 287 00:15:30,480 --> 00:15:33,280 I'm totally Jesus now! 288 00:15:35,080 --> 00:15:36,120 Yes, go away. 289 00:15:36,880 --> 00:15:39,720 Peace and action. 290 00:15:40,560 --> 00:15:41,760 I bring happy news. 291 00:15:41,920 --> 00:15:44,400 Lord, Mary and your cousins ​​are here. 292 00:15:45,160 --> 00:15:47,280 -Oh yes? -You want to come in. 293 00:15:55,560 --> 00:16:00,040 I don't care about my cousins, but let them in... 294 00:16:01,040 --> 00:16:04,640 ...because she is the love of my life. She is my darling. 295 00:16:05,520 --> 00:16:08,400 -Cut! Excellent! Fabio! -Here I am. 296 00:16:09,280 --> 00:16:11,920 Tell Corinna there is a new version the scene. A masterpiece. 297 00:16:15,720 --> 00:16:19,360 I want you a gift presented by Jesus. 298 00:16:20,080 --> 00:16:21,960 -Really? -I will tell you the day of your death. 299 00:16:22,160 --> 00:16:24,000 Thank you, but I'd rather not know that. 300 00:16:24,080 --> 00:16:25,440 You don't want Jesus' gift? 301 00:16:25,600 --> 00:16:28,040 No, but if Jesus tells me where it will happen, 302 00:16:28,160 --> 00:16:30,880 he would do me a favor. I would never go there! 303 00:16:33,680 --> 00:16:35,160 You will die in Ronciglione. 304 00:16:45,000 --> 00:16:46,680 What do you think about Satan's authority? 305 00:16:47,200 --> 00:16:48,920 What do you mean by that? Satan's authority? 306 00:16:49,040 --> 00:16:52,400 The authority of Satan. It's very popular these days. 307 00:16:53,960 --> 00:16:57,720 Then there are the usual ones who say: "No, Satan, no. Satan, no." 308 00:17:02,520 --> 00:17:04,520 I knew it. 309 00:17:05,680 --> 00:17:07,240 What the hell? This is my water. 310 00:17:07,640 --> 00:17:10,520 I don't have the bottle touched with the mouth. Relax yourself. 311 00:17:10,680 --> 00:17:12,280 No, Ale. 312 00:17:14,560 --> 00:17:17,640 But this is super powerful water. 313 00:17:20,720 --> 00:17:22,000 What does this mean? 314 00:17:28,000 --> 00:17:34,120 Do you have the LSD thing to do that? Beating an algorithm, are you serious? 315 00:17:39,200 --> 00:17:40,360 How much did you put in? 316 00:17:41,920 --> 00:17:42,920 A little. 317 00:17:45,400 --> 00:17:46,480 What? 318 00:17:48,560 --> 00:17:49,600 Nothing. 319 00:17:51,720 --> 00:17:55,680 Oh God. I'm very hot. 320 00:17:55,880 --> 00:17:58,960 No, listen. I would rather... I can't do that. 321 00:17:59,200 --> 00:18:01,400 Go. "Give power to those that they don't want." 322 00:18:01,520 --> 00:18:04,160 And that's exactly why you will be our spokesperson, Ana. 323 00:18:04,240 --> 00:18:06,000 Stay away from Martufello! 324 00:18:08,160 --> 00:18:11,240 There we are. We are with people connected across the country! 325 00:18:11,480 --> 00:18:12,920 There are so many of us! 326 00:18:13,040 --> 00:18:16,840 “It’s 2 p.m., we’re here with 'Hands off Martufello' 327 00:18:16,960 --> 00:18:18,080 "and stop work! 328 00:18:18,800 --> 00:18:24,280 "Our priority is systemic to question culture in the country. 329 00:18:25,120 --> 00:18:30,560 "Based on and in accordance with L146/90 and the trade agreement..." 330 00:18:30,920 --> 00:18:32,240 Does that bother you? 331 00:18:32,880 --> 00:18:34,000 What the fuck... 332 00:18:35,560 --> 00:18:38,400 Okay, but the most important thing is, that you make peace. 333 00:18:38,600 --> 00:18:43,160 In the meantime, we must any doubt about an alleged affair 334 00:18:43,320 --> 00:18:47,200 clear things up between us. Are we staging a big fight? 335 00:18:47,480 --> 00:18:53,760 You could call me "fatass." and I call you "Fucking Ham." 336 00:18:55,240 --> 00:18:56,280 This is unbelievable. 337 00:18:57,040 --> 00:18:59,000 Do you call me? "a damn ham", 338 00:18:59,360 --> 00:19:02,520 Stanis won't believe that. He knows this is ridiculous. 339 00:19:02,720 --> 00:19:04,040 -Do you think? -Yes. 340 00:19:04,480 --> 00:19:07,560 But he doesn't want to turn if you don't reconcile with him. 341 00:19:07,760 --> 00:19:09,960 I can't change it. You have to solve this alone. 342 00:19:11,520 --> 00:19:15,520 -Maybe I'll put that shit on. -No, it's not that bad... 343 00:19:15,600 --> 00:19:17,080 Are we filming the temple cleansing? 344 00:19:17,400 --> 00:19:18,320 No. 345 00:19:18,440 --> 00:19:23,320 Do you see? So the narrative technique with the chatty townspeople. 346 00:19:24,640 --> 00:19:26,200 Is the second unit on strike? 347 00:19:27,560 --> 00:19:30,600 Tatti recruited Ana Canestri, So yeah, nobody works anymore. 348 00:19:33,000 --> 00:19:34,560 I feel like hitting someone. 349 00:19:35,240 --> 00:19:37,520 I think I'll talk to Tatti Barletta. 350 00:19:40,320 --> 00:19:42,360 Giorgia! Did you really see it? 351 00:19:43,000 --> 00:19:46,000 No, I was very embarrassed, you know? Really… 352 00:19:46,440 --> 00:19:49,120 I'm sorry, I have to hang up. 353 00:19:49,200 --> 00:19:51,240 The head of communications is here. He wants to speak to you. 354 00:19:51,360 --> 00:19:55,120 Yes, no, no. Forgiveness. Long time no hear! 355 00:19:55,280 --> 00:19:58,760 I understand that this is a beautiful moment is for you, but can we talk? 356 00:19:58,840 --> 00:19:59,960 -Where are you? -Yes. 357 00:20:00,080 --> 00:20:03,000 Where are you? You piece of shit! 358 00:20:03,240 --> 00:20:05,560 I chose you, although everyone said 359 00:20:05,720 --> 00:20:07,480 you would be a pain in the ass! 360 00:20:07,600 --> 00:20:08,960 And you thank me with a strike? 361 00:20:09,080 --> 00:20:11,280 -Relax yourself. -You are really Judas! 362 00:20:11,480 --> 00:20:13,440 -Take it easy, guys. -Moment. Do you want to fight? 363 00:20:13,560 --> 00:20:14,640 -Very much. -Calm down. 364 00:20:14,800 --> 00:20:17,760 No no no. If anything, then you fight later. 365 00:20:18,000 --> 00:20:19,680 Wait. René, I have to show you something. 366 00:20:20,360 --> 00:20:21,600 What? What do you want to show me? 367 00:20:21,720 --> 00:20:24,240 You too. Come on, come on. 368 00:20:24,560 --> 00:20:25,600 As long as… 369 00:20:29,800 --> 00:20:31,040 Come in. 370 00:20:33,000 --> 00:20:35,920 Come on. Sit down. Here. 371 00:20:41,480 --> 00:20:47,680 A guy roughly edited this for me. In return he got a sea bass carpaccio. 372 00:20:48,200 --> 00:20:49,440 Imagine... 373 00:20:51,280 --> 00:20:52,880 I think it's pretty neat. 374 00:21:06,520 --> 00:21:07,480 Yes. 375 00:21:10,880 --> 00:21:13,440 Your juice from Brazilian apples, as desired. 376 00:21:17,160 --> 00:21:18,560 Have you ever had heartbreak? 377 00:21:21,360 --> 00:21:22,840 Have you ever been dumped? 378 00:21:23,880 --> 00:21:25,000 Yes, it happened. 379 00:21:25,280 --> 00:21:27,560 That's bad. Hurts, right? 380 00:21:28,240 --> 00:21:29,240 Yes, it hurts. 381 00:21:30,000 --> 00:21:31,920 Were you able to win her back? 382 00:21:32,440 --> 00:21:34,480 It seemed impossible but then I succeeded. 383 00:21:35,200 --> 00:21:36,280 We're still together. 384 00:21:36,840 --> 00:21:37,880 What did you do? 385 00:21:38,240 --> 00:21:39,840 I started... 386 00:21:40,800 --> 00:21:44,600 ...pardon the expression, me having fun with her best friend. 387 00:21:45,840 --> 00:21:48,080 Interesting. 388 00:21:49,280 --> 00:21:52,440 Corinna always says: "My mom is my best friend." Bitch! 389 00:21:53,080 --> 00:21:54,280 -Okay, see you then. -No. 390 00:21:55,800 --> 00:21:56,840 Go! 391 00:22:01,600 --> 00:22:04,520 Giovanna, Mamma mia… 392 00:22:10,880 --> 00:22:15,200 Michelle! What a surprise. How are you doing? 393 00:22:16,280 --> 00:22:17,320 What? 394 00:22:17,760 --> 00:22:20,320 I don't feel anymore the same enthusiasm as at the beginning. 395 00:22:20,560 --> 00:22:24,200 What enthusiasm... The initial enthusiasm... 396 00:22:24,600 --> 00:22:28,040 The Life of Jesus, as we do it, 397 00:22:28,320 --> 00:22:30,280 seems like a joke to me. 398 00:22:31,640 --> 00:22:35,040 Markus is Chinese, Thomas is black. 399 00:22:35,320 --> 00:22:39,560 Judas is a faggot, Jesus is against his family. 400 00:22:40,280 --> 00:22:42,560 What kind of story is that? Lopez? 401 00:22:42,960 --> 00:22:44,880 This is the future, Michele! 402 00:22:45,080 --> 00:22:46,480 I don't give a shit about the future. 403 00:22:48,080 --> 00:22:49,440 The future can see me. 404 00:22:51,560 --> 00:22:53,840 At least show me today a good scene? 405 00:22:55,760 --> 00:22:58,880 Today of all days we have a scene. Look here. 406 00:23:01,840 --> 00:23:02,840 Yes, of couse. 407 00:23:03,120 --> 00:23:08,200 Arianna, Michele is here. We have to shoot something. A good scene. 408 00:23:08,480 --> 00:23:10,200 -Today? -Yes, today. 409 00:23:10,600 --> 00:23:13,960 Because if my cousin Michele want to see a good scene, 410 00:23:14,080 --> 00:23:16,680 let's show him a good scene. 411 00:23:17,200 --> 00:23:18,520 What good scene, Lopez? 412 00:23:18,640 --> 00:23:20,920 The temple cleansing with the narrative technique. 413 00:23:21,560 --> 00:23:24,720 Nice scene. But you know that René doesn't want to turn it like that. 414 00:23:24,880 --> 00:23:26,640 -He doesn't want to shoot it? -No. 415 00:23:26,840 --> 00:23:28,880 Call René and tell him: 416 00:23:29,400 --> 00:23:31,800 “We want the temple cleansing using the narrative technique." 417 00:23:31,960 --> 00:23:33,040 He doesn't want that. 418 00:23:35,600 --> 00:23:37,200 Add the sugar and stir. 419 00:23:55,720 --> 00:23:58,200 -It's Arianna. -Answer it. 420 00:23:58,520 --> 00:23:59,520 Yes? 421 00:23:59,840 --> 00:24:03,280 Lopez suggests to film the temple cleansing. 422 00:24:03,440 --> 00:24:04,880 -Yes. -Using the narrative technique. 423 00:24:07,760 --> 00:24:12,640 I think this is a great idea! You turn it. Don't worry, Arianna! 424 00:24:13,400 --> 00:24:17,200 And that's where the Judas wages scene comes in. 425 00:24:18,120 --> 00:24:19,320 We'll talk about that later. 426 00:24:21,440 --> 00:24:22,480 What did he say? 427 00:24:23,360 --> 00:24:25,680 He asked me to shoot it. 428 00:24:25,880 --> 00:24:29,960 Wonderful! Fantastic! Michelle! 429 00:24:30,480 --> 00:24:32,440 Today you will see a masterful scene. 430 00:24:32,640 --> 00:24:35,320 A masterful scene. This fucking scene! 431 00:24:35,520 --> 00:24:37,720 Go! Wake up! 432 00:25:07,000 --> 00:25:08,160 Lalla. 433 00:25:10,320 --> 00:25:12,280 Can you please get a coffee? 434 00:25:12,600 --> 00:25:14,120 -Yes, immediately. -Thanks. 435 00:25:15,640 --> 00:25:17,440 I haven't told anyone about us yet. 436 00:25:18,680 --> 00:25:22,840 I'm pregnant. Find out you've lost your job. 437 00:25:23,000 --> 00:25:24,440 Okay, I'll get you the coffee. 438 00:25:30,200 --> 00:25:34,320 Hey, Ale! What are you shooting? I'm so curious. 439 00:25:34,840 --> 00:25:37,040 We turn the… 440 00:25:39,240 --> 00:25:41,360 …temple cleansing. 441 00:25:41,680 --> 00:25:45,680 Fantastic! I have the feeling this project… 442 00:25:47,240 --> 00:25:48,320 ...will be a hit! 443 00:25:52,280 --> 00:25:54,920 Hey, Ale! Are you okay? 444 00:25:55,280 --> 00:25:59,880 Yes, yes, everything is okay. I'm sorry. We're about to shoot. 445 00:26:00,120 --> 00:26:01,640 Okay, great. 446 00:26:01,800 --> 00:26:04,600 But remember, you are my heroes. 447 00:26:04,960 --> 00:26:08,720 As René said: "Die, die, die!" 448 00:26:22,840 --> 00:26:23,880 And? 449 00:26:24,320 --> 00:26:28,440 It is certainly wonderful but what is that, Glauco? 450 00:26:30,040 --> 00:26:32,520 Do you remember the motto? the French Revolution? 451 00:26:34,560 --> 00:26:38,320 The motto of the French Revolution! Liberté, egalité and… 452 00:26:38,520 --> 00:26:41,840 -No idea. -Grab it while you can. 453 00:26:41,960 --> 00:26:43,200 Grab it while you can. 454 00:26:43,320 --> 00:26:44,760 Come on. That's not true. 455 00:26:44,880 --> 00:26:47,160 Yes, it was: “Grab it while you can.” 456 00:26:47,280 --> 00:26:49,320 That made the world more energized as Fraternité. 457 00:26:49,480 --> 00:26:52,440 -Exactly! That was it! Fraternité. -No. 458 00:26:52,760 --> 00:26:56,280 “Grab it while you can” means: Never finish a project empty-handed. 459 00:26:56,480 --> 00:26:58,320 Have an approachable attitude. 460 00:26:58,680 --> 00:27:02,280 On the lowest level from “Grab it while you can” 461 00:27:02,360 --> 00:27:04,800 let's call them "Grab, as long as you can, for beginners", 462 00:27:04,960 --> 00:27:06,560 the director gets a jacket or something… 463 00:27:06,640 --> 00:27:10,200 You got that from the costume department, right? 464 00:27:10,880 --> 00:27:11,960 Yes. 465 00:27:12,080 --> 00:27:15,640 My goodness. In this project 466 00:27:15,800 --> 00:27:17,520 you can improve. 467 00:27:17,920 --> 00:27:21,840 Grab it while you can! What do you think? 468 00:27:27,480 --> 00:27:29,160 My best work so far. 469 00:27:32,840 --> 00:27:34,440 You wanted to change the world, right? 470 00:27:34,840 --> 00:27:35,840 Yes. 471 00:27:36,360 --> 00:27:38,840 How do you want to do that, if you're not the protagonist? 472 00:27:41,040 --> 00:27:42,280 That's true, isn't it? 473 00:27:42,840 --> 00:27:43,760 Yes. 474 00:27:44,240 --> 00:27:46,000 Let's shoot the next scene. 475 00:27:46,120 --> 00:27:48,400 Come here. Make room. Come on, Michele, come on. 476 00:27:48,640 --> 00:27:51,680 The chatty townsfolk are here. You go out, come in 477 00:27:51,800 --> 00:27:53,280 -and say your text. -OK. 478 00:27:53,360 --> 00:27:57,480 The role of the chatty townspeople is becoming more and more important, isn't it? 479 00:27:59,000 --> 00:28:00,120 Unfortunately yes. 480 00:28:00,320 --> 00:28:02,800 Sit down. What a scene. You'll see. 481 00:28:03,240 --> 00:28:05,720 The backlight a little higher, but only very little. 482 00:28:05,920 --> 00:28:09,200 Perfect. Go. We're ready. 483 00:28:11,640 --> 00:28:13,360 Beautiful shot! 484 00:28:13,840 --> 00:28:15,000 This can be done even better. 485 00:28:16,520 --> 00:28:17,560 Who are you? 486 00:28:18,000 --> 00:28:19,800 Okay, everyone in position! 487 00:28:19,880 --> 00:28:24,040 -Thanks. Recording! -311-1, flap, the first. 488 00:28:24,880 --> 00:28:25,920 Action! 489 00:28:27,560 --> 00:28:29,560 You don't believe what Joshua did! 490 00:28:29,800 --> 00:28:32,840 He was in the temple and there were a few traders there. 491 00:28:33,880 --> 00:28:36,080 He drove her out. He went completely insane! 492 00:28:36,240 --> 00:28:38,080 -He did that. -That's crazy. Incredible. 493 00:28:38,240 --> 00:28:39,720 -All alone? -Yes. 494 00:28:39,920 --> 00:28:42,640 -Yes, he is in great shape! -So powerful! 495 00:28:42,800 --> 00:28:46,640 -Yes. -Cut! We would have that. Thanks. 496 00:28:47,600 --> 00:28:51,200 -That was a scene... -Nice! 497 00:28:52,640 --> 00:28:55,520 Finally a clear scene that you can identify with. 498 00:28:57,080 --> 00:28:58,960 The picture is wonderful too! 499 00:29:01,400 --> 00:29:03,400 You really know about films, Miche'! 500 00:29:05,040 --> 00:29:07,920 That was really good. Compliments from Uncle Michele. 501 00:29:08,200 --> 00:29:11,200 So that nothing goes wrong, while we're at it, 502 00:29:11,480 --> 00:29:14,280 let's do these scenes too. 503 00:29:14,680 --> 00:29:15,880 Come on, Lopez. 504 00:29:16,000 --> 00:29:18,320 No, we shoot them. All the scenes here. 505 00:29:18,480 --> 00:29:20,440 All those with the narrative technique. 506 00:29:22,960 --> 00:29:25,680 Little masterpieces, you'll see. 507 00:29:26,080 --> 00:29:28,640 Hey! You won't believe what happened! 508 00:29:28,720 --> 00:29:29,840 -What? -What? 509 00:29:29,920 --> 00:29:33,320 Joshua was in the desert for 40 days. 510 00:29:33,400 --> 00:29:34,960 That's why we didn't see him. 511 00:29:35,120 --> 00:29:41,160 Then suddenly the devil appeared and wanted to tempt him three times. 512 00:29:41,240 --> 00:29:44,000 And he said, "No, no, no." 513 00:29:44,120 --> 00:29:47,040 Hey! You don't believe what Joshua did! 514 00:29:47,240 --> 00:29:51,920 With five fish and two loaves of bread he fed 4,000 people. 515 00:29:52,120 --> 00:29:53,160 Really? 516 00:29:53,280 --> 00:29:55,040 -Yes. -This is too much. 517 00:29:55,320 --> 00:29:56,600 There was a woman 518 00:29:56,680 --> 00:29:58,680 a poor woman, who should be stoned. 519 00:29:58,840 --> 00:30:00,200 He intervened and said: 520 00:30:00,400 --> 00:30:03,640 "Whoever of you is without sin, let him cast the first stone!" 521 00:30:03,800 --> 00:30:06,080 -And the others? -Nobody said a word. 522 00:30:06,200 --> 00:30:08,720 Once he went to an inn and drank 523 00:30:08,840 --> 00:30:12,480 a 2.5 meter long flaming sword and started juggling it. 524 00:30:12,680 --> 00:30:16,400 He did strange things and stabbed. Then… Yes. 525 00:30:16,520 --> 00:30:20,160 Forgiveness. I've never heard of that before. 526 00:30:20,360 --> 00:30:22,840 I just made it up. 527 00:30:23,800 --> 00:30:27,160 Angelo, add your two cents too. Come on, go ahead. 528 00:30:27,320 --> 00:30:28,440 Angelo is there too. 529 00:30:28,520 --> 00:30:29,960 Be careful, he's a jerk. 530 00:30:30,240 --> 00:30:35,000 No! No! You people can't understand this! 531 00:30:35,280 --> 00:30:41,920 You don't understand what he did. How the hell? What's his name again? 532 00:30:42,360 --> 00:30:43,600 What's who else's name? 533 00:30:43,760 --> 00:30:44,840 What's his name? 534 00:30:45,560 --> 00:30:47,480 Arianna, excuse me, who is this guy? 535 00:30:47,880 --> 00:30:48,880 Cut! 536 00:30:49,280 --> 00:30:52,080 So what do you want? Calm down. I didn't know anything. 537 00:30:52,240 --> 00:30:54,200 -I didn't know anything. I'm sorry. -Hey, quiet. 538 00:30:54,440 --> 00:30:55,720 -Don't touch me! -Bravo! 539 00:30:56,200 --> 00:30:58,280 -But he was great. -Fool. 540 00:31:01,680 --> 00:31:03,080 René, I feel like shit. 541 00:31:03,560 --> 00:31:05,440 Welcome to the club. 542 00:31:06,080 --> 00:31:08,360 Come on, let's shoot. Shut up. 543 00:31:10,680 --> 00:31:12,360 And action! 544 00:31:25,000 --> 00:31:26,560 In. 545 00:31:33,600 --> 00:31:34,840 What do you want? 546 00:31:36,000 --> 00:31:39,720 I need help. I'm hungry. 547 00:31:40,760 --> 00:31:42,880 And I have four children! 548 00:31:43,280 --> 00:31:47,040 Here, take this. This is 30 pieces of silver. 549 00:31:47,120 --> 00:31:48,320 -No! -But. 550 00:31:53,680 --> 00:31:58,680 Thank you thank you! Thirty pieces of silver! Thank you! 551 00:32:12,080 --> 00:32:15,040 Listen, Tatti, I have four people recruited from the first unit. 552 00:32:22,000 --> 00:32:23,400 Are you filming here? 553 00:32:24,640 --> 00:32:29,320 We? No! We're making a video for my friend's birthday. 554 00:32:30,160 --> 00:32:31,680 Are you René? 555 00:32:33,480 --> 00:32:34,960 You are a real piece of shit! 556 00:32:36,120 --> 00:32:38,760 You're a piece of shit too. And you too. 557 00:32:39,160 --> 00:32:42,280 “Hands off” sucks! 558 00:32:42,960 --> 00:32:44,320 I'll kill you, assholes. 559 00:32:45,560 --> 00:32:49,200 Your career as a trade unionist is over, 560 00:32:49,960 --> 00:32:52,400 but now you are the protagonist. 561 00:32:53,040 --> 00:32:54,280 Let's shoot. Go. 562 00:32:54,440 --> 00:32:56,960 -No, that was good, René! -No, she barged in! 563 00:32:57,080 --> 00:32:58,200 That's annoying. 564 00:32:59,040 --> 00:33:00,360 And shut up! 565 00:33:07,320 --> 00:33:08,520 Hi, Diego. Go ahead. 566 00:33:08,880 --> 00:33:11,640 -Listen, I have great news. -Tell. 567 00:33:11,720 --> 00:33:15,240 I have a location for the scene found at the crucifixion. The blast. 568 00:33:15,320 --> 00:33:17,760 -Good. Where? -Ronciglione! 569 00:33:18,080 --> 00:33:22,040 What? No! Definitely not Ronciglione! Understood? I don't care! 570 00:33:22,200 --> 00:33:23,600 Hey! So what's going on? Ronciglione. 571 00:33:23,720 --> 00:33:26,200 No, not Ronciglione! We're filming in the theater! 572 00:33:26,360 --> 00:33:28,360 -Not Ronciglione! -I don't understand. 573 00:33:28,480 --> 00:33:30,160 Not Ronciglione! Stop! 574 00:33:30,840 --> 00:33:31,920 Ronciglione. 575 00:33:34,520 --> 00:33:40,360 Eyes of the Heart Eyes of the Heart 576 00:33:40,560 --> 00:33:42,640 Boris! 577 00:33:43,200 --> 00:33:48,760 I'm singing a new story With emancipated characters 578 00:33:49,200 --> 00:33:55,160 As the new algorithm dictates 579 00:33:55,560 --> 00:33:58,040 Parallel actions 580 00:33:58,120 --> 00:34:01,280 And complicated scenes 581 00:34:01,440 --> 00:34:02,840 Boris! 582 00:34:03,120 --> 00:34:07,680 We don't shoot them We tell them 583 00:34:09,040 --> 00:34:11,520 An exciting TV series 584 00:34:11,680 --> 00:34:14,640 That never lets you go 585 00:34:15,000 --> 00:34:21,920 Amidst supermen and teenagers You're glued to the screen 586 00:34:22,440 --> 00:34:26,960 Oh, Boris! Oh, Boris, Boris, Boris! 587 00:34:30,760 --> 00:34:33,360 What do we do now? with the Colasanti family? 588 00:34:33,920 --> 00:34:34,960 Caponata! 589 00:34:37,120 --> 00:34:40,080 I said "caponata", not "pepperoni"! 590 00:34:40,200 --> 00:34:41,600 Subtitles by: Claudia Hager-Smolka